HANDY FILM

 

 

 

Marcelino Samba

Director > Yves Callevaert

 

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Art direction / styling

 

 

 

 

Burt Wonderstone > Feature

Costume Designer > Dayna Pink 

Special Costume Design > Steve Carell > Steve Buscemi

 Burt Wonderstone > Feature

Costume Designer > Dayna Pink

Special Costume Design > Steve Carell > Steve Buscemi

 

 

 

 

ALEX > Teaser Trailer

Director > Florian Frerichs

 

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Costume Design 

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In the near future the society of a megalopolis is divided into two fractions: on one side a super-rich minority, 
When the young Frederick (Nikolai Kinski) comes in possession of the partial copy of a long forbidden Stanley Kubrick movie, it sparks a growing movement amongst the city’s former- ly aimless youths, 


Frederick becomes Alex, his friends the new droogs. But are they even aware of the consequences of their actions?

 

 

 

 

Snowflake > Feature > 2016

Director > Adolfo J. Kolmerer

 

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Costume Design  

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Phoenix > Short

Director > Florian Frerichs

 

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Costume Design

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Director’s note

In the tradition of science fiction like “Fahrenheit 451″ or „Brave New World“,

“Phoenix“ tells the story of a man coming to his senses after a young woman makes him realize
the true nature of the world they are living in.

 

 

 

 

 

In the Ruins > Short > 2015

Director > Florian Frerichs

 

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 Art direction &  Costume Design 

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When Ayden (Bruno Eyron) arrives at a deserted church in the forest, he meets the strange Doctor Faber (David Gant) who offers him some food, if Ayden promises to provide the next meal.

While both men are having a BBQ, a young girl (Xenia Assenza) enters the church, searching for her sister. Dr. Faber offers her some food, if she promises to provide the next meal...

 

 

 

 

The Last Supper > TV film  > 2016

Director > Florian Frerichs

 

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Art Direction > Producer

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Carmina Velvet > Short

 

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Client > Pert A Diner

Concept > Art Direction > Costume Design

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Directors Note  

“It is easy to sense there is an impending task at hand, whilst the director of the piece is looming behind the camera and a graceful female figure is walking through the mise en scène, the eyes of all characters fall upon the director, including our own, and we are left deliberating his next move.

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